It’s Christmas at Ground Zero

I miss having a proper home on Christmas. Although then again, I’m lucky to have what I have. It’s not that the mantra, “Some people have it way worse” works. It doesn’t. It’s just that life is unpredictable enough as it is – and in Russia, the membrane of delusion that’s supposed to separate you from the grinding mechanisms of history is transparent-to-nonexistent. So there’s that.

The painful cold spell in Moscow has broken for now, and it’s snowing. I bought wine from Krasnodar and honey from Altai. Lev is enjoying the Pogues and Kristy MacColl. Alyosha is enjoying the fact that his computer freaked out and started working the second the repair man stepped through the door. “So happy Christmas. I love you baby. I can see a better time. When all our dreams come true.”

Check out Best of Russia 2012

I should just send a link to this annual photography contest every single time someone asks me, “So why live and work in Russia?” (And I’m not even a photographer)

Here’s my top five from among this year’s winners, incidentally:

“Forest” by Sergei Kosolapov, one of the winners in the Nature category. This was taken in Cheboksary (my husband worked there as an actor once):

best of russia sergei kosolapov

“Through the looking-glass” by Mikhail Grebenshchikov, taken in Moscow, during the ill-fated May 6 rally earlier this year:

best of russia mikhail grebenshchikov

“The police” by Dmitry Zakharov, a picture from a rally for fair elections earlier this year in Moscow:

best of russia dmitry zakharov

“The Milky Way” by Yulia Dmitriyeva, a photo of Elektrozavodskaya metro station in Moscow:

best of russia yulia dmitriyeva

“New way in” by Marina Dubeiko, taken in Primorsko-Akhtarsk, Krasnodar region:

best of russia marina dubeiko

These pictures are my own antidote to today’s horrors in the State Duma (voting to ban adoptions of Russian children by Americans, which is seen by them as an “adequate response” to banning officials allegedly involved in Sergei Magnitsky’s death from the U.S.).

Against being broken

I’m not good at this whole “love” thing. I’m not good at this whole “family” thing. Not because I’m somehow prejudiced against these concepts, or because I find them boring, but because I’m a fractured person. I’m an old-time painting. Look closely, and you can see the cracks in the paint.

I’ve discovered that the only thing that matters is loving your loved ones. You have to love your loved ones, or else they grow to be misshapen and dented by your lack of love. I say this as a severely misshapen and dented person – so dented, that my market value is too low for me to be a decent investment. So dented that it’s a little embarrassing. I’m in a leadership position at Russia’s oldest English-language newspaper. I’m a wife and mother. And say to you: growing up unloved is the most terrifying thing. It does things to you that you don’t even notice – until you begin doing the very same things to the people around you.

I shouldn’t talk about these things publicly. At the very least, I should save them up for a memoir of some kind, not splash them across a blog like a 15-year-old girl. But I don’t have the energy for memoirs, frankly, and neither do I have the self-restraint to go about my business, keep writing for various publications, and somehow not talk to my readers about what’s going on inside of me. I don’t do it out of some vain hope that it may change somebody’s life. Rather, I seek to unburden myself.

The Russian theater world is currently discussing the tragic suicide of the young executive  director of the famous Kolyada Theater in Yekaterinburg, in the Urals. Of course, the main portion of the blame appears to lie with her ex-lover, a man who humiliated and threatened her, driving her to the brink of despair. But abusers sense their victims’ weakness long ahead of time. They’re sharks that smell blood in the water. And too often, that blood is spilled early on, in childhood, when we’re too young to defend ourselves or to comprehend what’s happening to us and throw up an emotional barrier of some kind.

I can’t argue against vulnerability – without vulnerability, I could not write. But I can and will argue against being broken There’s nothing romantic about. Nothing artistic. Nothing special. Broken is broken. It turns you into nothing more than a collection of dangerous, glinting shards.