In memory of Mikhail Ugarov

In memory of Mikhail Ugarov

In the museum of our bones
The keeper lights his nightly cigarette;
His doctor says he must cut back
And unlike us, he won’t mock fate.

He leads a reverent life by day
His mother’s bills are always paid
His lawn and pubic hair are trim
His children’s college funds undrained.

His ex-wife can’t remember why
She left him, and sometimes she sighs
Into the silent compliance of a whiskey glass
As crickets kick off in the grass.

The girls on Tinder like his jaw
Good breasts spill out for him from bras;
His friends are jealous, he just shrugs —
“Get what you can,” he says to them.

The wind chime on his back porch tolls
For moths who die because the light
Has told a tale of angel skin
So warm — and almost didn’t lie.

His hands are grooved and good and calm
His legs sap soil like Tolstoy’s oaks
His dogs are glassy with content
His dreams are kind to his dawns…

In the museum of our bones
The keeper hugs a tibia
Stares down the skulls up on their shelf
And maybe wishes he was someone else.

****************

For Mikhail Yuryevich Ugarov, 1956-2018
Artistic director of Teatr.doc
My friend

Photograph by filmmaker Denis Klebleev.

This blog exists because you’re good-looking and generous: No guilt-trip, just good times

NEW: poetry and essays archive

NEW: poetry and essays archive

Dear friends, subscribers, and people who take offense at my Guns n’ Roses references,

I wanted to point out that the new poetry and essays archive is now available on this site. It doesn’t contain all of my poetry and essays. Just the stuff that I like most.

Yeah, yeah, it’s presumptuous to self-publish poetry. With rare exceptions, it’s presumptuous to force one’s poetry on the world at all.

Of course I also sometimes think that all writing, both good and bad, is presumptuous to an extent. In in the meantime, I keep hearing from you about how much you like the stuff I publish here and have made the archive with that in mind.

By the way, a long time ago, when I was still a high school student, I noticed that the Norton Anthology of Poetry we used in English classes included the work of Bob Dylan. Norton was ahead of its time with this one. His inclusion, which forced me hard to think about the definition of poetry, in a way prepared me for his Nobel Prize (a lot of the writers I know seemed very surprised when he won, which in turn surprised me).

It also made me think about how genre and mediums and methods of delivery overlap in this world that we live in. In that sense, poetry isn’t something that has to be born on the page. Sometimes, in fact, a poem has to travel a certain path in order to be recognized as such. I think that’s curious and wonderful.

The world being what it is right now, curiosity and wonder should be multiplied. I’m trying to do my part, in whatever small, confused, confusing way that is available to me. Good luck with doing yours.

Tornado of Shrieking Demon Heads (The Calm the Fuck Down Song)

Tornado of Shrieking Demon Heads (The Calm the Fuck Down Song)

Calm the fuck down, bitch
Calm the fuck down
Get it together or get out of town
Oh you crave a crisis
Just to feel important
You’re jerking off again
To a tornado
Of shrieking demon heads
And other fucked-up shit
Bitch, calm the fuck down
Jump in a lake
Sink to the bottom
And listen to the sound
Of nothing and everything
Of water worshipping rock
No one acknowledging you
Or measuring your cock.

Nothing in nature or in the stars
Cares for your shit, bitch
So calm the fuck down.

I wrote this song a while ago for a musician friend and it feels especially appropriate to post it today, in light of everything