Stop the feminist blogosphere! I want to get off!… Or do I?

I’ve written extensively (or half-assedly, depending on who’s reading) about the fact that many people, women in particular, do not identify as feminists for some very good and valid reasons. While doing so, I have always affirmed and re-affirmed my own intention to keep calling myself a feminist.

Am I a feminist blogger, however? For the first time in a number of years, I have started to ask myself this question seriously. No one’s come along to take away my Feminist Clubhouse key (many have tried), but for a number of years now, since I’ve been living outside the United States, I’ve been noticing I can now rarely relate to much of the language of the feminist blogosphere.

I can’t deal when someone lists the various “intersecting oppressions” they face, and then asks me to go ahead and list mine, so that it can then be determined which one of us has “more of a right to speak.” I cock an eyebrow when someone suggests that an argument in the comments section of a blog may drive them to suicide. Particular discussions body image issues – particularly the whole earnest “I have my mother’s thighs. I have accepted that,” make me feel sadness (not a superior kind of sadness, I have body image issues too – I also just wonder what the hell is wrong with the United States, when this kind of experience has to be viewed as downright revolutionary). I oscillate between stupefying boredom and mild irritation when reading most feminist criticism of shows like “True Blood.”

Why this gradual change? I’ve had to ask myself. Did my life as a “lapdog of the patriarchy” become even more easier by comparison? Have the biscuits been upgraded? Did I get a new bowl?

When I consider my life from all angles, though, I come to the conclusion that it has gotten tougher. More interesting, more exciting, but with more responsibilities and less material comforts. I live cheaply, take public transport everywhere and save money on groceries by riding a streetcar to the bazaar. I deal with things I said that I would never ever deal with again – by choice. I see and hear things that many of my classmates in North Carolina considered to be purely in the realm of movies. And I got my first grey hairs this year. And taking pictures with a RIA Novosti photographer for a story at the end of summer, I noticed the deepening wrinkle near one corner of my mouth – from the lopsided smile I always make nowadays.

I don’t have time to think about body image as much as I used to – because I have been reminded of what a Russian banya and a nude beach in Ukraine are like. I can’t take fights in the comments section of blogs as seriously as I used to – because there are too many fights in the world of sullied flesh. I find myself emotionally relating to a show like “True Blood.” I’m not going to list my damn “oppressions” to you, because I take the word “oppression” more seriously than I used to, and try not to take it in vain if I can help it.

I’m still a feminist blogger. But I like to think of myself kind of like “Terminator 2: Judgment Day” to the original “Terminator.”

“Forgive us, little girl, for the fear and horror you experienced. Rest in peace.” – a Russian blogger, on Liza Fomkina

The body of Liza Fomkina, a four-year-old who went missing after going to walk her two dogs with her disabled aunt, was found this morning. The aunt’s body was found yesterday. The dogs have also been found. It was one of the dogs that lead rescuers to Liza’s body.

Preliminary reports suggest that both the aunt and the little girl died of exposure after getting lost in the woods.

They went missing on September 13.

The aunt most definitely died before the girl.

The little girl was left to die with the dog by her side.

This is Orekhovo-Zuevo we’re talking about here, this is the Moscow region, this is not some boundless taiga.

I’ve been reading a lot of comments on this, and a lot of LiveJournal reports by the people who volunteered at the scene, and it’s hard to hold back tears.

According to RIA Novosti – “the main efforts to find the missing were conducted by volunteers and neighbours.”

The word-choice of the actual volunteers are, as you might imagine, much less diplomatic.

Because this is the SAME DAMN THING that we saw when there were fires in Russia this summer. Volunteers reaching out. Neighbours helping neighbours. All good, all laudable efforts – but where in the hell are the people whose JOBS  it is to save little girls like Liza? Yes, 80 officials were involved in the search, but according to numerous eyewitness reports, bureaucratic nonsense cost valuable time. Apathy cost valuable time. Equipment was not immediately available. Unconfirmed reports suggest that a team with search-dogs was held up for an inexcusable amount of time because of a JURISDICTION ISSUE.

Meanwhile, two people were dying, alone. They were hungry and cold and frightened. They were no more than 80 kilometres away from Moscow proper.

One of the comments I read today will probably stick with me for the rest of my life: “We are being ground to bits, to fertilize the gardens on the dachas of The Elite.”

Forgive us, little girl.

“Дочка” (“The Daughter”) being read at Lyubimovka

A photo by the lovely and amazing Anna Orlandina:

Vladimir Snegurchenko, Alexey Zhiryakov, Natalya Nozdrina, Diana Rakhimova, and Alyona Ibragimova (seated).

Snegurchenko came up from Kharkiv, and directed the two other Ukrainian plays that were part of the same project as mine – “Vasimilyatsiya” and “Simeini Lyudi”. He helped move the evening along. Zhiryakov directed the reading of “The Daughter,” as well as read one of the parts (to be specific, he read the Orthodox priest – ha ha). Nozdrina had the most difficult part, in my humble opinion, even though it was a small one – she read the part of a girl who may or may not be possessed by demons. Diana Rakhimova played the priest’s slightly loopy but kind-hearted friend, Agrippina. And in the lead was the wonderful Alyona Ibragimova – a girl who came back to her native village or town (as I wrote before, our project deals with settlements that were categorized as being “in between” villages and towns in the Soviet era) to bury her alcoholic father.

I’m really grateful to the people who participated and made this thing a reality. I wrote the play in cafes in Moscow in the spring and in early summer, back before the weather turned horrendous. A lot of chain-smoking and dramatic hand gestures accompanied the process. My charred lungs were especially grateful when it all came together at the festival. It was also just gratifying to participate in a joint Russian-Ukrainian project, with all of the endearing mishaps surrounding it.

I am now officially a “promising young playwright” and someone who “needs to get off her ass and do more” – anonymous sources were quoted as saying.

Natalia Antonova was immortalized by Zhenia Vasiliev… and the peasants rejoiced

(c) Zhenia Vasiliev / The Moscow News

A memorable night at the 2010 Lyubimovka festival is shown here in a cartoon. I almost wish my real boobs were as awesome as the boobs on my cartoon version. Almost – because I already have an injured back.

If you’re going to get all huffy with me and point out that ZOMG! HDU! THIS IS NOT SERIOUS THEATER JOURNALISM!… please do. I’ve been spoiling for a fight that has nothing to do with the best location for a medium-sized washing machine.

“Aha. Look what I’ve created. I have made FIRE. “

I’ve been messing about with this site’s template and trying out different styles, and headers, and breaking things in the process, pitching hysterical fits, and then putting them back together again. I’m really proud of myself, because aside from going nuts on Twitter and harassing Helen & Rozhkovsky, I’ve been mostly doing this by myself. OK, granted, the CSS is so simple that a gerbil could probably do it – if it applied itself – but it’s all about the baby steps when it comes to me and code. I sort of “get” code the way I “get” Middle English – mostly via intuition, and magic, and wizardry.