Props for anyone who gets the movie reference in the title of this post.
Non-Muslim women have pontificated on the niqab (face-veil) and its relation to Western culture before. *cough* Admittedly, a lot of our comments, my comments included, can be rather presumptuous and patronizing, even if we don’t mean them to be. I’ve been doing a lot of soul-searching on this issue lately, and it seems to me that sagely opining about these things with an air of authority can be just as unhelpful as, say, going off on a self-congratulatory spiel about breast implants and the supposedly poor, pathetic women who get them.
Should we reserve aesthetic judgment? As a writer, I say no. It’s damn near impossible to do that anyway.
But aesthetic judgment is not the same thing as ascribing motivation, as dissecting the ideology, as practically eliminating the humanity of other people. It’s one thing to say – “I personally wouldn’t wear niqab, and here’s why…” or even “That niqab is cute but not this one” – and quite another to launch on an investigation of those Other women and why they do the things they do. I’ve tried to refrain from doing that in my earlier writings on niqab, but, you know what? I’ve tripped up before. And I’ve tripped up in my logic as well:
I argued that the face veil is especially problematic in countries such as the U.S. But thinking about it now, if veiling one’s face should always be about choice, then the U.S. is a fairly good place for that. Choice is much more restricted and more nebulous in more conservative religious environments (not saying the U.S. is some sort of progressive utopia – we’re not – but we’re “tryin’ real hard to be a shepherd,” dang it).
Being in the UAE has certainly helped shape, or, as the fact may be, enhance, my opinion on the matter, particularly in a “Western” context. Which is why reading Danielle Crittenden’s smug series on the face-veil has been so tedious.Continue reading “Shorter Danielle Crittenden: Throw the Niqabi Off the Train!”