Kyiv’s PostPlayTheater: of “Rebels,” Donetsk, and discomfiting narratives

Kyiv’s PostPlayTheater: of “Rebels,” Donetsk, and discomfiting narratives

If you are interested in the (somewhat frozen) conflict in parts of eastern Ukraine, you should hop on down to Kyiv’s brand new PostPlayTheater and check out the documentary play “Rebels” (“Ополченцi” in Ukrainian. The word itself usually has a slightly different meaning in English, but “rebel” is one of the standard terms for the separatists out east, so I am using it for now).

Rebels is the story of one man, recorded on a dictaphone by some kiosks on a late night in central Kyiv. The man used to be a part of the Russia-backed uprising in Donetsk, a conflict that has claimed thousands of lives and displaced over two million people.  Continue reading “Kyiv’s PostPlayTheater: of “Rebels,” Donetsk, and discomfiting narratives”

On the work of Kate Atkinson

On the work of Kate Atkinson

When I was fourteen, I bought a copy of “Human Croquet” after reading about it in a magazine for girls (unexpected choice by the editor, I’ve come to realize). I had the original receipt for a while and jotted down the exact time, down to the minute, and place where the book was purchased.

I came back to that inscription in my senior year at Duke, when I was writing my (let’s face it, terrible) honors thesis on “Human Croquet.”

“Acquired at 7:33 p.m., May 17, 1998, Barnes & Noble, Arboretum, Charlotte, NC.”

There wasn’t much I understood at twenty, but I did understand why I wrote down the contents of the receipt. I was recording a life-changing moment. I met Michael Cunningham once when he came to give a talk at Duke, and he jovially discussed having his life upended by Virginia Woolf, and I was grateful for that, because it meant I wasn’t weird. Kate Atkinson just happened to split my particular atom.

Her work has changed over the years, gone both wide and deep, but some familiar themes have circled back this year: the handsome RAF pilot, the complete disaster of men and women, the cruel and lovely ambivalence of nature, the question of death and stepping sideways out of time, the tedium of children and how there’s nothing more important, Englishness (and how observing it changes it), the strange way men separate passion and love (like unspooling threads), the importance of getting on with it even when you’d rather lie down and melt back into the landscape again, lying down and melting into the landscape at a later date (though perhaps having helped someone in a way, so as to not have your existence be entirely without point), the fact that we are all so fragile as to almost be fiction.  Continue reading “On the work of Kate Atkinson”

A decade without

A decade without

When starting a letter to the other side,
I first want to point out that things are mostly fine
I mean, sure, there’s a war on, thousands have died
But I grew some nice boobs while you were away, Sir Robin (ha ha).

The economy you always lamented
Is somehow even deader
Than you could have imagined.

The clubs are still bad.
The roads are the worst.
The rich look like sores about to burst.

I’m penniless and getting older
My home is mostly a man’s shoulder.
I don’t mind.

You were right about my first love
You were right about what men want
The dead are never wrong.
You don’t feel dead to me, though
You’re just carbon no longer
You’re brighter than photons.

I’ve earned so many badges since I saw you last
I’m running out of space for letters on my chest
But it’s like what you always said
What unmakes the mind first unmakes the bed.

My son was playing the piano with his nanny
I walked into the room and had to walk right back out again
Made manifest to me
A message from you in precise calligraphy
Signed with a heart and that half-smile
On my little boy’s DNA
Oh, you’d love him, darling
And he you
Your beauty has so many unexpected homes
From piano keys to the way a bee drones.

There were many wounds I’ve minded.
Many times I’ve said
“What is this goddamn arrow lodged in my chest?”
My armor goes all the way to my bones, as you know
But every arrow eventually finds its way home
And when mine does I think I’ll be less afraid than some
Haven’t I always had you to lean on
When the tower falls
When the hanged man hangs
There it is, there is your face.

Complaints

I miss carbohydrates
I miss the conviction
That rotten floorboards beneath my feet
Will give in at some later date
When I’ve moved on to greater things
That are owed to me by fate.
I miss kissing him
Outside that restaurant
(See how I’m not addressing him?
It must prove that I am repentant).
I miss saying “no” as easily
As sliding hand into glove;
Come to think of it
I miss my good winter things
And how unlike other phenomena
They could always be counted on.
I miss staring contests with the bottom of the glass
And I equally miss losing them.
I don’t miss pouring my own wine,
But I do miss choosing it.
I miss when rebellion meant
A nothing that came of nothing
As worn beneath my coat
I miss taking for granted
My ability to rain down a bit of destruction
In an insignificant corner
Of an altogether backward
Permanently twilit
Part of the world.
I miss being nobody’s vassal
Unless you counted those pale moth wings
Like the evening’s fluttering eyelids
And I’m sure you didn’t.
I miss split ends cut off by that woman
Split ends like golden forks in the road
Either way beset by trouble
Either way portending love.
I miss not missing my handsome jailer
Feeling for keys on his belt
And saying “it’s over” to my friends
Like an apology
For a terrible screw-up
A disaster so immense
That they had to cancel
Important dinner plans.
While I’m at it, I miss real friends
Those who don’t mind putting a blanket
Over my shoulders and theirs
To go and watch meteorites
Tear through the dark seams of the sky.
“One undone, another undone,
They’ll say it about us someday –
They were lovely as they shone
Why couldn’t they stay.”
And I miss the force per unit area
We had from sitting next to each other
When it felt that should it get a little colder
We could pull down the sky together
Spread it over our touching knees
And I could quit worrying my caged predator teeth
And bite its soft corner.
I miss the men
Who’ll think it’s about them
But not all, not all.
I miss the dog paused on the stair
Gazing into the changing shadows of the hall
Waiting for whatever was next
And whatever was next was nothing at all –
And how lucky that was for us both.
I miss the Carolina spring
Beautiful like a woman in a bar with someone else
Beautiful like only that which cannot be possessed
Leaning against the fence
And describing the sun
To disbelieving gnomes and spiders beneath the leaves
See, I knew I was going to write
I didn’t know there’d be a price like this.
The snow is already busy concealing the footprints
Of boys who won’t return from war
Having hidden behind their broad backs
I have missed them all.

winter thaw kuindzhi
Winter. Thaw. By Arkhip Kuindzhi, 1895.

 

Nobody’s hopeless, everything is broken

I woke up today and immediately saw two bits of news:

The Russian Patriarch gave Dmitry Kiselyov, Russia’s top propagandist, a church award. I was baptized in the Russian Orthodox Church and, even though the church has always taken orders from the government in Russia (it was never the other way around, as many people think), such acts still somehow sadden me, especially because I still go to church, and still find it a powerful experience. Churches have always been horrifyingly imperfect – I suppose they’re forever making up for it with rhetoric about hell, and casting undesirables out, etc. – but there is something about this particular church, right now, that rubs its imperfection in your face so much that it tempts you to despair. When even your conservative, God-fearing relatives are bitterly saying that “the patriarch is a bad one,” it really makes you wonder, just how bad it’s all going to get in our lifetime.

On a related (yes, related) note, Russia’s Investigative Committee, the most loud and loyal of the oprichnina, has now opened a criminal investigation against the wife of an Alexey Navalny ally (Navalny is Russia’s most prominent anti-corruption crusader; the latest politically motivated case against him will see him go away for a decade if the prosecutor has his way), who organized literary festivals. The Investigative Committee’s statements and criminal investigations oftentimes seem deliberately farcical, but the farce involves real victims, people with families. Writers are often curious about what goes on in the heads of people who victimize others in the name of carrying out orders – but the truth is, compartmentalization is an awesome tool.

I have this idea that a lot of us should be grateful to be alive in this horrible time – and not because, as the constant refrain goes, “It can always get worse.” It can, but I’m not talking about that. I’m talking about how this time has forced so many of us to turn mental corners we were too lazy or too scared to turn before. How this time has burrowed into our hearts like a worm, a reminder that the number of heartbeats is finite, always finite. And what will you do with your nearly imperceptible, finite heartbeats? And what will you do? Goodness, for example, can never attack, it can only defend itself. A lot of people have forgotten about that right now, but one day, they’ll remember.

Every day is a chance to turn it around. Every day that we are alive. Tick tock. Don’t despair. Don’t despair. You’ve no right.