Laura Palmer and the end of the world: news of note from me

Laura Palmer and the end of the world: news of note from me

It’s Independence Day, and I am sad to be so far away from home. Instead of whining about it, though, I’d like to present you with a round-up of the interesting things I’ve done lately and which you might have missed (especially if you don’t follow my Twitter):

For example, I recently looked at the legacy of Twin Peaks in the post-Soviet world (did you know? The original show had a cult following there in the 1990s) and discussed it with Marco Werman on PRI’s The World.

I have to add that I feel like we’re really lucky that David Lynch was not interested in pandering to nostalgia when he set out to make Twin Peaks: The Return. Will hopefully be able to devote more writing to that this summer – particularly since for years I’ve been able to observe how turning nostalgia into yet another natural resource has made much of mainstream Russian culture into something sadly provincial.

Speaking of non-provincial Russian culture, however, I have also written about Andrei Zvyagintsev’s new film, Loveless, which recently premiered in Cannes. Loveless is fantastic and, I think, ultimately a much angrier movie than Zvyagintsev’s Oscar-nominated Leviathan. It’s the anger that appeals to me greatly.

Of course, my REAL big news is that The Fox Head Barks Facing Seaward, my newest short story, was published in Strange Horizons last month. I’ve had a love affair with Strange Horizons since college, and I’m really glad that it was this story in particular that has found a home there. Fox Head works as a kind of protracted echo of this earlier story, but it’s also its own thing.

Over at the Anti-Nihilist Institute, I’ve had some strong words for fake Russia experts. And the Woke Vets series has continued, with me interviewing Tim Hardin, a veteran of Iraq and Afghanistan (where he served as a USASOC soldier), on everything from civilian casualties to the importance of free public education.

In Politico, I discussed the recent French election in light of Russian meddling (would not have personally gone with that headline either, but I guess winning is in the eye of the beholder). I think this piece of mine on BNE actually nicely balances out the Politico one – by pointing out that Putin is not some superhuman Bond villain (though he’d like you to believe that).

Finally, I was recently on the Power Vertical with Brian Whitmore and Mark Galeotti. We started out discussing the dueling messages of the Kremlin and the Russian opposition, and wound up discussing Pornhub and the importance of political sex appeal, which is what happens when you have me on your podcast.

The Girl Who Went For a Ride: a tale of horror (maybe)

The Girl Who Went For a Ride: a tale of horror (maybe)

There once lived a girl who knew she was destined for great things, but great things were always taking too long to appear on her horizon. She bided her time with her husband, a street magician, and her best friend, whose main like of work was being an artist’s mistress. Greatness teased the girl, slyly peeking around the corner up ahead and disappearing again, laughing with other people at parties.

One autumn day, when the skies were clear but the air already smelled like snow, the girl was walking home from her job, when a long, black car pulled up next to her in the street. There was a man in the back seat of the car and he rolled his window down. The man’s eyes were shiny and rich and dead, like drops of oil. “I’ve been looking for you,” said the man, and opened the car door, inviting her in. The girl got in, congratulating herself on her bravery as she did so. Greatness required bravery. Continue reading “The Girl Who Went For a Ride: a tale of horror (maybe)”