From Woke Vets to the Putin Paradox: news of note from me

From Woke Vets to the Putin Paradox: news of note from me

I recently made my Coda Story debut writing about the controversy surrounding a new movie made by an ostensibly pro-Kremlin filmmaker. This is what happens when you let religious extremism run unchecked – and by that I mean Christian extremism (a pertinent topic for all of us in the U.S. as well, even though Trump would have us believe that only Islamic extremism is a problem).

Speaking of the arts in Russia, here’s my take on the surreal world of Russia’s not-quite-censorship, and how it benefits the Kremlin perfectly – this was my contribution to the Guardian’s series on the so-called Putin paradox (as in, why is he reviled abroad and popular at home? Lots of great articles in this series).

All of this brings me to renewed protests in Russia. “Nothing is Good and Everything is Horrible” would’ve been my alternative headline for the depressing column I wrote on the subject for bne IntelliNews.

Meanwhile, over at the Anti-Nihhilist Institute, Anna Lind-Guzik and I have launched a cool new series we’re calling Woke Vets. We’re speaking to U.S. veterans about the new administration and all of the crap that lies ahead for us as a country now – because who’s better to talk to about that than the people who execute our (often quite flawed) policy decisions on the ground?  Continue reading “From Woke Vets to the Putin Paradox: news of note from me”

From Pavel Sheremet to Trumputin: my summer 2016 links for your reading pleasure

From Pavel Sheremet to Trumputin: my summer 2016 links for your reading pleasure

I don’t usually archive the links to the work I do elsewhere, but it’s been a long summer with few updates, and I thought you guys might like to take a look at a few of these anyway:

An important online flashmob on sexual violence recently began in Ukraine and quickly spread to Russia and Belarus. These are NOT the countries you associate with any kind of frankness on the topic. So it was a pretty big deal. And being a big deal, it attracted plenty of trolls and critics. I wrote about how the flashmob and the reaction to it are great examples of this region’s collective PTSD.

Also in Ukraine, a very prominent and gifted Belarusian-Russian-Ukrainian journalist was tragically killed by a gangland-style car bomb. I wrote about what happened – and the implications.

But of course in the States, all we can really talk about the election. And Trump. And, nowadays, Trumputin. I wrote about the bad bromance between the Republican presidential nominee and the Russian leader – and how it may not work out that well for the Kremlin (in spite of every other American writer currently pointing out how Putin is the one who’s playing Trump. Which is true, by the way. He is playing him. But it will be hard to play him in the long term – and the Kremlin is remarkably bad at long term planning).

Last but not least, a link to my essay on Eurovision, Jamala, the Dakh Daughters, and Ukraine’s new femininity. I finally got to use the phrase “kill your boner” in a serious piece. I don’t know if it gets any better than that.

In Russia, August is traditionally associated with disasters. May we all avoid them to the best of our ability. Stay beautiful. Stay fabulous.

walk walk fashion baby

Why it sucks to be a journalist (and why people do it anyway)

In the West, the news is a commodity, a product. And the customer is always right. If you’re not giving the customer what they want – you’re usually screwed.

In places like Russia, the news is more like a government-owned resource. And the government gets to set the agenda on how said resource will be exploited. If you’re not giving the government what it wants (or getting a little too uppity or bothersome) – you’re usually screwed.

I’ve worked for both English-language Russian state media and Western independent media. I’ve been lucky so far. Lucky for having intelligent editors who set good standards, for being able to speak my mind, for being able to walk away when facing censorship. Lucky that I’m still, at this stage in the game, able to feed my family (on a diminishing income). Lucky that I’m not an exploited freelancer in a conflict zone (for now, anyway).

Im-not-anybodys ygritte says

But the more online harassment I experience, the more threats I receive, the more insults (many of them gender-based, others aimed at my complicated cultural and ethnic heritage) I hear, the more I have to wonder if I’m tough enough.

When I was writing about the fateful 2010 winter election in Kiev, there was an incident I’ve been loath to talk about. Perhaps a couple of my friends know. It made me feel vulnerable and unprofessional at the time. I certainly didn’t want to complain and make it seem as though I was afraid of anything.

I had argued with a security guard near a polling station. He insisted I couldn’t be on the sidewalk, talking to people. He thumped me on my chest and pushed me hard. I went flying on the black ice that seemed to encrust every surface that winter, landing on my back, hitting my head in the process. After the immediate shock and pain wore off, I let a woman who had just voted help me up. The guard had scampered off. I went back to doing my job.

The incident stayed with me, because the pain stayed. I had problems with my back before, but that one bad fall caused chronic pain that lasted for over a year. After I got pregnant, I had to seek out specialists capable of helping pregnant women with severe back pain. The pain sapped my strength and bank account. It still flares up every once in a while. X-rays so far have been inconclusive, and I am convinced that a part of it starts in the mind. Chronic pain is complicated, but it has its roots. Some are abstract.

People don’t like journalists – for reasons are both abstract and concrete. People take, ah, liberties with journalists, especially in countries with brittle regimes and a high tolerance for violence. People don’t like it when journalists tell them what they don’t want to hear. People don’t like it that journalists take money from either governments or corporations or NGOs – i.e., people don’t like it that journalists have a powerful need to eat every once in a while.

I’ve been both a reporter and a pundit – a reporter takes risks in the field, only to be shouted at for bias. A pundit feels like Cassandra with tongue in place, but no one listening anyway. Everyone is down in the comments section, bitching about how you’re the wrong ethnicity to have an opinion on some matter, while others are busy e-mailing you detailed odes on how awesome it would be when you’re finally gang-raped.

“You go out there and do your job!” People shout at me on the internet, from the comfort of their homes. I’m remembering the first story I did for The Moscow News – on a neo-Nazi stabbing in southwest Moscow. I visited the scene of the crime, talked to the neighbors of the victim, talked to the crying wife on the phone outside. On my way back, I had to walk through an apple orchard at dusk. Two guys began following me. They weren’t neo-Nazis, they were thugs, enraged at seeing a reporter asking questions “without permission” on their territory. Didn’t I know I could be “punished”? There was no one else around. We were in the middle of a major city at peacetime, but in a second it was brought home to me – how unsafe I was. I let them catch up with me, joked with them, bummed a cigarette off of one of them, discussed my story. I smiled at them. They eventually began smiling back.

Female journalists are lectured on “using our looks” and following “the principles of feminism.” We’re still seen as women first and journalists second – hello, “mother of three” headline! – but we must pretend as though this isn’t really so in our work.

In the company of bad men, however, there are no illusions. You appeal directly to their strength. A strong man wouldn’t need to prove his strength by hurting a girl-reporter, would he? Except sometimes, he would.

Our readers hate us. We hate each other. When I joke about dick-measuring contests on Twitter, I’m not really joking. Professional solidarity usually only appears when someone gets their head cut off – to be quickly forgotten.

Everyone knows that you don’t get ahead by being the best. You get ahead by proving that the others are worthless.

If you’re a young woman, prepare for the possibility of getting harassed, raped, or simply used by colleagues you look up to. And then, of course, they’ll tell their friends that you only got that one gig because [insert body part, outfit, etc]. Hoity toity male journalists will punish you for admiring them as surely as they will punish you for not admiring them.

girls see more blood ygritte says

(And if you’re ever, say, attacked while doing your job – men will write hit-pieces about it, minimizing your suffering while making your entire job about your looks. And when you start getting older, people will begin getting mad at you about it – and asking why the hell are you still on TV, you fat cow)

In times of conflict and tension, you will be seen as a tool first and a person second – by everyone from the security services to Jim-Bob who’s never frozen his ass off at a demo that swiftly erupts into violence when the boys with the batons move in, but will still write your bosses and demand you be fired for your “pro-[insert whatever it is that Jim-Bob doesn’t like at that moment] coverage.”

In a conflict zone, you will be accused of propaganda if any particular side appears to trust you – though trust is how you get people talking, how you get them to let you in, and how you get them to not kill you.

The late Andrei Stenin got the pro-Russia rebels in eastern Ukraine to trust him – so now I’m constantly being told that he deserved his death. Meanwhile a friend has reported extensively on the right-wing Azov battalion on the Ukraine side – only to be accused of being a “Nazi sympathizer” in the process.

When you acknowledge the pressure you are under, you’re weak and hysterical. When you don’t acknowledge it, it begins to do your head in.

I was in a bar in Kiev with a cousin last month, when your typical Douchebag Expat Stereotype who’d only been in the country for a couple of weeks but had oodles of opinions he was dying to share sidled up to us. In the course of trying not to talk to him, I found out that he follows the work of a friend of mine who has been reporting on the armed conflict in the Donbass. “He’s just so biased! And so cocky!” Douchebag Expat Stereotype ranted.

“So why don’t you go out there and show him how it’s done,” I replied – then instantly regretted my words.

The last thing you want to do is give a self-assured blowhard the idea that he can do this kind of job.

Meanwhile, one of the defining characteristics of the human race is our need to tell stories, to bear witness – and to pass the information on. I think that people tend to get into journalism because they’re human. And a little crazy. It’s a calling – in the sense that a pied piper is playing a tune somewhere. You stumble off the safer path and follow the song. You live to regret it and you live to love it – sometimes in equal measure.

but first well live ygritte says

Chyorny Dnepr: Mermaid Song

God, I must be getting older,
A sickly pigeon on my shoulder
Weeps diuretics from one round eye.
God, I must be getting weaker,
The teeth in my head are getting softer,
The teeth in my head crumble to chalk.
I pull them out of my mouth,
And draw your picture on the sidewalk:
With a bigger dick than I remember,
With kinder eyes than I remember,
If history’s to be forgotten,
No point in sticking to the facts.
God, my nails are like quartz,
Gnawing deep into my weeping skin.
God, my thoughts are like black water,
Licking at a thinning dam.
In a billion years this gut and bones,
The fragile pelvis you briefly made your home,
Will be fuel in a lantern
Lighting the way of a stranger’s progress
On a black shore under rearranged stars,
And that is the only immortality you and I may have.

This one’s from a new play of mine. Possibly the last play ever (but I always say that, don’t I? I am always having horrendous break-ups with the theater, only to come back again). A drunk mermaid stumbles out of the water and sings this on the beach of the Dnepr River in Ukraine. The play is set a few months before Euromaidan —> Yanukovych’s toppling —> Annexation of Crimea —-> Civil war in the East.

Jack of hearts

Men have always said, “Don’t you dare write about me.”

Max never said anything of the sort, because writing didn’t exist for him, not really. It was real the way Australia might be real to someone in Europe. You’d see people from Australia posting on Twitter when the night was too hot for sleep and that would be as far as you were willing to cross into that particular reality. Not that Max had a Twitter.

One time, a drunk cab driver hit Max with his car outside a highway gas station somewhere in darkest East Ukraine. Max, who was drunk himself, got up from the asphalt, dragged the cab driver out of the cab by his hair and started punching him. Max’s friends told me this story, so I know he didn’t make it up (I hadn’t known him to make shit up, but at that point, I had worked as a journalist for too long to believe people outright most of the time). They said his then-wife had been literally hanging off of his arm, trying to make him let the cab driver go. He had several broken ribs and fingers at the time. What was impressive, they said, was how his anger was bigger than his pain. I think about that anger often, as I watch the news from East Ukraine.

“Goddamn it, Natalia,” you just said. “This trick of telling us about Ukraine via the prism of Dudes You Used To Date is getting old. If that’s what you’re doing again…”

That is exactly what I’m doing again. And it’s also not what I’m doing at all. That is not what I meant at all. That is not it. Etc.

Max, whose name isn’t really Max, didn’t date me. Instead, he came to see me at odd times. One time, he came to pick me up from the airport, after I’d flown in from Dubai. I was expecting my parents, but there was Max instead, grim like the weather, a bomber jacket on him I have never forgotten, because of the way the collar felt against my fingers.

“What are you doing here?” I said.

“I’m taking you home.”

I wanted to say something dramatic about how I have no home, but I was too tired from the flight. The familiar road from Borispyl Airport to Kiev was curiously empty, and it made me briefly wonder if the world had ended.

Timing is everything. It’s what John Donne knew, and Keats, and Dire Straits, and the man who once served Max and I beer in a roadside cafe, then turned around and said that it’s technically too early for beer anyway, but that we look like adults willing to take responsibility for our bad decisions. How we laughed. How small my hand felt in his hand, then – and my hands aren’t exactly small. How absolutely feral, his presence. Hungover, I rested my head against the complicated topography of muscle underneath his shirt.

Every once in a while, you need a man to be your wolf, carrying you on his back through the night.

When you don’t have that – well, you stagger on through the night on your own accord, and you skin will cry tiny seams of blood from the brambles, and you will probably get old prematurely, and none of that will be a tragedy, in the end. Or, rather, it will be a tragedy that’s muted in a very English way, on in an Anna Akhamtova way, when she struggles to get the glove onto the wrong hand, because she is distracted.

You might expect me to write that I took Max for granted, that I took youth and freedom for granted, but honestly, I don’t think I did.

And when he carried me on his back through the dark after we left some bar, I shuddered with every step he took, and staring sideways at the moon, I felt as though I might go cross-eyed, and I asked the pale face of the moon to not punish me for my happiness, and when we walked together we would stop and light candles in every open church we came across, and when I felt my hair streaming down my back as he undid my topknot the sensation thickened my blood into amber, and my breaths were very, very slow and light, and I felt afraid of disturbing the way the atoms in the room had arranged themselves. And when I asked him, much later, if he had been happy, he raised an eyebrow at me and told me not to ask extremely dumb fucking questions. It was just that the time allotted to us was short.

In Moscow last month, there was a heat wave before the cold spell. The air kept getting hotter with the dawn, humming with invisible energy, stifling the breath and blooming wild roses on the children’s cheeks, growing more and more unbearable with the minute, until the entire damn pressure cooker erupted in thunderstorms around lunchtime, making me pause in the street, palms up in exhausted gratitude. It felt as though if I stood there long enough, the rain would wash my thoughts away.

I have been concerning myself with work, with a new play, with my son’s immediate needs, with chilling the champagne. I have never felt more stupid or more uncertain about anything.

I just wanted to write that “I have never been more afraid,” but that’s not exactly true.  Continue reading “Jack of hearts”